Howls moving castle scarecrow
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![howls moving castle scarecrow howls moving castle scarecrow](https://pbs.twimg.com/media/DIFNizgWAAAPOb-.png)
These characters are both easily identifiable in the roles they fill, while charmingly original in the flair they bring to those roles. Sophie is your vintage vulnerable protagonist, Howl is the brooding guy with a heart of gold, Calcifer is the spastic sidekick, Markl is the curious assistant, the Witch is evil but not as cruel as you would think. The characters are more or less stereotypical, yet their physical appearances and interactions with each other ensure a unique feel to it all. In addition to the beautiful colors, the strong and wonderfully diverse cast of characters is this film’s greatest strength. The storyline is vintage Studio Ghibli, weaving normal settings with magical elements to create a hybrid world where you know some of this stuff is implausible in reality, but you could not care less because of this amazing imaginative world that the filmmakers have created. This encounter sets off a long chain of events and encounters, as Sophie encounters a witch (whose curse on Sophie ignites the rest of the film), a talking flame, an apprentice, a scarecrow with a turnip head and of course, the enormous moving castle. Though the title suggests otherwise, Howl’s is really about Sophie, a young woman working in a hat shop who encounters a mysteriously handsome stranger in the streets one day. Yes, the mood for the most part is grim throughout the movie. It can’t be underestimated how the wide range of colors used in this film really help things stand out even more and accentuate the fantastical aspects of this film. Studio Ghibli shows no signs of slowing down When it comes to creating gorgeous panoramic scenes, diverse character designs and finishing things off with a flourish when the colors are applied. What strikes me about Howl’s Moving Castle is just how colorful it is. Mrs.While computer animation is kicking hand drawings to the curb in the U.S., it’s nice to see that the classical animation form still thrives in Japan. Sophie's different responses to the scarecrow over the course of Howl's Moving Castle tell us a lot about her emotional state at different points in the book. Now that we've come to the end of the novel Sophie is ready to face up to her real feelings about her magic, about the scarecrow-and about wanting to stay in the moving castle. She finally admits to herself that the scarecrow "was not so frightening after all She rather suspected that she had just made it into a convenient excuse for not leaving the castle because she had really wanted to stay" (20.84).
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The scarecrow tries to say that he means no harm, and with Calcifer's encouragement, Sophie listens to him and lets him inside.
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So she does her best to run away from the scarecrow every time she sees him.īy Chapter Twenty though, Sophie is ready for a change. When the scarecrow reappears at the castle door somehow alive though, Sophie freaks out-she's not ready to admit yet that she has magic, let alone magic powerful enough to give life to a scarecrow. Here she seems to feel some odd affection for this scarecrow because she herself is feeling abandoned and homely. Instead we're pointing out this image because it says a lot about how Sophie feels about herself at several stages in the novel. So in a way Sophie accidentally helps to save Suliman's life.īut that isn't what we find symbolically significant about the scarecrow. The scarecrow was first enchanted by the Wizard Suliman, and eventually, when the Witch's curse ends, the parts of the scarecrow that belong to the wizard (mostly his magic and his skull) rejoin the rest of Suliman's body. It turns out later that Sophie's talking actually gives the scarecrow extra life, which he uses to track down the Witch's cursed parts of the Wizard Suliman's body. This moment of surprising sympathy makes a huge plot difference. So Sophie tells the scarecrow: "Now if I wasn't doomed to failure because of my position in the family you could come to life and offer me help in making my fortune. Now that Sophie has been turned into an old woman, she feels this odd sympathy for the scarecrow: like the scarecrow, she's out on her own and not very impressive-looking. He's not even in a field, which is where scarecrows are supposed to belong. So imagine: a ragged, vegetable-headed scarecrow stuck into a hedge on its own. A turnip is a purplish root vegetable, kind of like a potato. As Sophie is walking out of Market Chipping, she has a significant encounter with a turnip-headed scarecrow.